Norma tanega a street that rhymes at six am treat me right - Deniece Williams Discography at Discogs


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New York-based Israeli guitarist and vocalist Dida Pelled uncovers folk music’s forgotten treasures, exploring the songs and mysterious stories behind influential yet underground female artists who wrote music that was ahead of their time, from 1950s singer-songwriter Connie Converse and self-taught American blues guitarist Elizabeth Cotten to Molly Drake, Vashti Bunyan, and Norma Tanega.

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As the "Four Seasons sound" became more and more defined, other signature touches emerged, including dense but pristine-sounding percussion, such as the military-sounding march cadences and drum-stomps of "Sherry", "Big Girls Don't Cry", and "Walk Like a Man". The sophisticated harmonic patterns of the Four Seasons punctuated by the distinctive falsetto of Frankie Valli were at once classic and innovative, as was Crewe's use of melancholy harmonica on " Big Man in Town ", the space-age organ of " Save It for Me ", and the otherworldly glissandos of " Candy Girl ".


Norma Tanega A Street That Rhymes At Six AM Treat Me RightNorma Tanega A Street That Rhymes At Six AM Treat Me RightNorma Tanega A Street That Rhymes At Six AM Treat Me RightNorma Tanega A Street That Rhymes At Six AM Treat Me Right

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